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BOOKS In My Collection-REVIEWS

  

Will our heroes find the object they need to find in order to complete the next step in their quest?

One relic found and another to locate, or so that’s what Evan thought, it’s what his “father” Zeus told him when he dumped him in world and time so far removed from the twenty-first century. What if he doesn’t find the sacred objects? Will he be trapped forever in this forsaken age? Join Evan and his companions as they continue their epic odyssey, traversing the ancient world in search of powerful icons that even the gods are frightened of.

 

In The Labyrinthine Journey (eBook published 1st October), will reluctant modern day hero, Evan and his friends succeed in finding the relics to stop the advent of Christianity?

The odyssey continues. Will Evan succeed in his quest to find the relics and go home?

The quest to locate the sacred object adds pressure to the uneasy alliance between Evan and the Atlanteans. His inability to accept the world he’s in, and his constant battle with Zeus, both threaten to derail the expedition and his life.

Traversing the mountainous terrain of the Peloponnese and Corinthian Gulf to the centre of the spiritual world, Evan meets with Pythia, Oracle of Delphi. Her cryptic prophecy reveals much more than he expected; something that changes his concept of the ancient world and his former way of life.

 

Historical fiction novelist and a secondary teacher, Luciana Cavallaro,

likes to meander between contemporary life to the realms of mythology and history.

Luciana has always been interested in Mythology and Ancient History but her passion wasn’t realised until seeing the Colosseum and the Roman Forum.

From then on, she was inspired to write Historical Fantasy.

She has spent many lessons promoting literature and the merits of ancient history. Today, you will still find Luciana in the classroom, teaching and promoting literature. To keep up-to-date with her ramblings, ahem, that is meanderings, subscribe to her mailing list at

http://www.luccav.com.

 

You can connect with her via:

Website www.luccav.com

Twitter https://twitter.com/ClucianaLuciana

Facebook https://www.facebook.com/pages/Luciana-Cavallaro-Writer/304218202959903?ref=hl

LinkedIn http://www.linkedin.com/profile/view?id=242021145&trk=nav_responsive_tab_profile_pic

 

Pre-Order your copy from:

Amazon

And pay just 99cents

Join me to celebrate the launch of The Labyrinthine Journey and be a part of the virtual book launch.

Be Sure to Join LUCIANA CAVALLARO’S
Virtual Book Launch Party Oct1 – Oct2 Giveaways & more!

 

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I have just finished reading Apollo’s Raven, and I absolutely loved it, every single, beautifully placed word! I didn’t want the book to end, so I am hanging out for Book Two. When I first began reading Apollo’s Raven, I had no idea of what to expect, not knowing very much about ancient Britannia, or the power of Druid magic.  Reading this wonderful book, was akin to embarking on an epic journey of love, betrayal, mysticism, and Druid’s dark magic, all of which surrounds Catrin, the Celtic warrior princess who was determined to fight for her family’s Cantiaci kingdom, no matter what.

As Catrin is struggling to interpret her mystifying connection with a particular raven, which seems to be following her everywhere, she meets the captivating Roman, Marcellus, son of a high ranking Roman official who has landed in Britannia with a cohort of reconnaissance soldiers ahead of an invasion-ready legion. As a result, distrust is fomenting between two Celtic kingdoms and among members of their royal families. Torn between loyalty to her father, King Amren, and her forbidden love for Marcellus, she finds her inherited gift/curse of ancient Druid magic sometimes a hindrance, often life-saving.

Britannia is being battered not only by warring tribes and invaders, but by warring families! The burgeoning influence of patriarchal Rome’s empire is beginning to threaten some and create thoughts of treachery in others, while elements of dark magic and mystery surround a trusted druid, who perhaps shouldn’t be trusted at all. Then there are historic prophesies and curses returning to haunt Catrin and her family, including the terrifying shape-shifting ability of her murderous half-brother. Catrin’s  father places his utmost trust in the Druid, Agrona, but is she who she once was?

The political and romantic turmoil requires the teenage Catrin to use all of her fierce physical prowess and intelligence to quell the uprising of violence and intrigue between her father’s kingdom and that of a rival king’s. The visible presence of Roman soldiers in the surrounding countryside is inflaming the rivalry between the two kingdoms and their respective royal families. Not only that, both Marcellus and Catrin are seemingly cursed by the misdeeds of their respective ancestors.

An unpredictable, spell-binding tale, made so much richer by the historical integrity of the research carried out by the author, Linnea Tanner.

-Anne Frandi-Coory 19 August 2017

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The God Delusion is a great read; funny and witty in places and deadly serious in others. The author, Richard Dawkins is a professor and a scholar of renown and of course the brilliant writer of several significant books.

The God Delusion is divided into chapters with the several headings within each chapter making the book easy to read.  Dawkins is an atheist who has written, and lectured on, a great deal about the harm religion does to children, by religious indoctrination, which he believes is a form of child abuse. This book was right up my alley, so to speak. Christianity, just as much as Islam, teaches  that unquestioned faith is a virtue.

Religion, whether either one or other of the three Abrahamic religions, Judaism, Christianity or Islam, is full of contradictions…no wonder children are confused. And it’s not just Muslims who are inspired to become martyrs. I can remember as a child revering those Christian martyrs whose stories we heard every day from the pulpit or in catechism classes. These three monotheistic religions have engaged in extreme violence against their respective ‘infidels’ and apostates. One only has to read the Qur’an to know that Islam is not a religion of peace.  Dawkins quotes Ralph Waldo Emerson “ …the religion of one age is the literary entertainment of the next”…Except, writes Dawkins, ‘we are not allowed to laugh at Islam, under threat of fatwas!’ And anyway, Dawkins comforts his fellow atheists by promising us that monotheism is doomed to subtract one more god and become atheism. It cannot come soon enough for me and the millions of other atheists around the world.

Another thing about monotheistic religions that has no place in 21st century in my view, is that they enjoy tax-free status and as Dawkins states: ‘… far better to abandon tax-free status for religions altogether… because it helps to promote them while allowing them to avoid the rigorous vetting imposed on secular charities.’  Dawkins has researched the huge amounts of money amassed by TV evangelists in USA unscrupulously ‘stolen’ from believers. And believe me, the amounts of tax-free ‘donations’ these religious thieves steal from the true believers are the only ‘awe’ inspiring thing about the capitalist religion of televangelists.

I was especially interested in the chapter in which the author, who is a biologist and supporter of the Darwinian theory of evolution, discusses his views on religion as a ‘by-product’ of something else. Once again evolution of the human species comes into play and indeed does make sense to me. A theory that posits a selective advantage to children’s brains that possess a  ‘rule of thumb’ in order to keep children safe and so preserve human life; e.g. the experience of previous generations. Obey your parents, obey your tribal elders, ‘especially when they adopt a solemn minatory tone.’ This makes perfect sense to me having been indoctrinated since infancy into Catholicism which ensures children do not question anything they are told, and never learn to think for themselves. It has perhaps allowed so many children to be sexually abused by clergy with impunity, for centuries. Believe, and obey without question!

I love Dawkins’ description: ‘The god of the Old Testament is arguably the most unpleasant in all fiction: Jealous and proud of it, a petty, unjust, unforgiving control freak. A vindictive, blood thirsty, ethnic cleanser. A misogynistic, homophobic, racist, infanticidal, genocidal, filicidal, pestilential, megalomaniacal, sadomasochistic, capriciously malevolent bully!’  What chance do children have when  they are inculcated from infancy, to believe in, and fear, this vile father figure of a god?

Many scholars, including the author, are of the view that it’s the very moderate inculcation of religious teachings that inspire suicide bombers, and Dawkins discusses this at length. He also enlightens the reader on the many arguments that arise between creationists and atheists, and this was intriguing and at times gobsmacking that creationists actually believe such pie in the sky fairy tales in the face of proven and widely accepted scientific research and findings.

Scientists posit that we humans have evolved and so are products of natural selection; so ‘we should ask what pressure or pressures exerted by natural selection originally favoured the impulse to religion’ and Dawkins gives us compelling answers. The roots of morality and why we are good is also a riveting chapter and I urge all those who believe that religion acts as humanity’s ‘moral compass’ to at least read this chapter. Morality was a factor in human existence long before religions came into being. Dawkins asks  if our moral sense has a Darwinian origin, and he suggests that readers will find no surprises in this chapter if they are well read and open minded, which of course those indoctrinated with religious dogma throughout their childhoods very likely won’t be! In any case, writes Dawkins, his purpose in analysing scriptures is to demonstrate  that most religious people who claim to derive their morals from scripture do not really do so in practice. But, he adds, ‘suicide bombers obviously do.’

As Dawkins states, the Bible and Qur’an are ‘plain weird…as you would expect of chaotically cobbled together anthologies of disjointed documents composed, revised, translated, distorted and improved by hundreds of different authors, writers, copyists, unknown to us and mostly unknown to each other, spanning several centuries.’  He also discusses at length the Old Testament stories taken from much older mythologies, which I found especially interesting.

One of the most ridiculous statements Dawkins elicited from an interview with a well-known televangelist, was that he blamed the disastrous flooding of New Orleans during Hurricane Katrina, on a lesbian who lived in the city at the time. And he recalls the statement by a certain Anglican bishop, ‘thank god Jesus spoke the Queen’s English.’  Historic Mecca, the cradle of Islam is being buried in an unprecedented onslaught by religious zealots, but as Dawkins avows, there isn’t an atheist in the world  who would want to bulldoze Mecca or the Buddhas of Bamiyan,in the mountains of Afghanistan, for example.

And of course we all know that scriptures are blatantly misogynist and the author highlights relevant, horrific passages, full of rapes incest, sodomy, which would have been enough to add to my childhood nightmares if I’d read them at that time. For instance, in one chapter, two male angels (whatever they are) were sent to Sodom to warn Abraham’s nephew, Lot,  to leave that city. Lot invited the angels into his house and when all the men of Sodom gathered around outside and demanded that Lot hand over the angels so they could sodomise them, Lot refused and instead offered his two daughters ‘which have not known men’ to do with whatever they wanted. However, he warned them to do nothing to the two men whom he was protecting under his roof! Eventually Lot’s wife is turned into a pillar of salt and Lot commits incest with his two daughters. Dawkins suggests here that parents do not use the bible to teach their children morality. It’s obvious that zealous protectors of the Bible and Qur’an cherry pick chapters pertaining to peace whenever it suits them, because neither of these books can support their claims  that their religion is a religion of peace and morality. Nothing could be further from the truth. And the latest ludicrous claim by some Muslim women that Islam is not only a religion of peace, but also a ‘feminist’ one, is laughable! And how does it help to engender equality of the sexes, when the men of Jewish faith pray and thank god every day, for not making them a woman?

Dawkins provides the reader with clear and concise reasons why he believes moderation in faith fosters fanaticism,  and I found his reasons for this perfectly feasible. He uses the phrase ‘moral zeitgeist’,  spirit of change, or ‘enlightened consensus’, of which the opposite is the dark side of religious absolutism or extremism. His point is, and this is important in 2017,  that even mild or moderate religion helps to provide the climate of faith in which extremism naturally flourishes. It goes without saying of course, that indoctrination begins in early childhood because parents inflict their religious beliefs onto their children.

In his book, Dawkins quotes respected journalist, Muriel Gray, writing in the Glasgow Herald, 24 July 2005, with reference to the London bombings: Everyone is being blamed, from the obvious villainous duo of George W Bush and Tony Blair, to the inaction of Muslim ‘communities’. But it has never been clearer that there is only one place to lay the blame and it has ever been thus. The cause of all this misery, mayhem, violence, terror and ignorance,  is of course religion itself, and it seems ludicrous to have to state such an obvious reality, the fact is that the government and the media are doing a pretty good job of pretending that it isn’t so.

Religious indoctrination and absolutism  has, in my humble opinion, allowed children of all Abrahamic religions to be sexually abused by their own paedophile clerical minders and others of their own faith. Dawkins writes: ‘More generally, (and  this applies to Christianity no less than to Islam), what is really pernicious is the practice of teaching children that faith itself is a virtue. Faith is an evil precisely because it requires no justification and brooks no argument. Teaching children that unquestioned  faith is a virtue primes them, given certain other ingredients that are not too hard to come by, to grow up into potentially lethal weapons for future jihads or crusades. Faith can be very dangerous, and  deliberately  to implant it into the vulnerable mind of an innocent child is a grievous wrong. It is purely and simply a violation of childhood by religion.’

Dawkins quotes another scholar, Patrick Sookhdeo, director of the Institute for the Study of Islam and Christianity: The mantra, ‘Islam is peace’ is almost 1,400 years out of date. It was only for about 13 years that Islam was peace and nothing but peace…For today’s radical Muslims – just as for the mediaeval jurists who developed classical Islam, it would be truer to say ‘Islam is war’. One of the most radical Islamic groups in Britain, al-Ghurabaa, stated in the wake of the two London bombings, ‘Any Muslim that denies that terror is a part of Islam is kafir.’ A kafir is an unbeliever ( i.e. a non-Muslim), a term of gross insult…Could it be that the young men who committed suicide were neither  on the fringes of Muslim society in Britain, nor following an eccentric or extremist interpretation of their faith, but rather that they came from the very core of the Muslim community and were motivated by a mainstream interpretation of Islam?

Food for thought: Is the reason Muslims murder and torture those who criticise or make fun of Islam and their prophet, because they know that if Islam endures the same scholarly scrutiny that Christianity and Judaism have in recent decades,  that it will be revealed as the sham that it really is? I urge readers to place their Bible, Qur’an or Torah in their home library on shelves alongside other great classics of  literary fiction.

The other night I watched a news item showing a Muslim child, barely five years old, at a kindergarten, dressed in a black hijab and full length black dress….while the other children around her were dressed in pretty, colourful clothing, their pretty hair tied up in dainty ribbons and bows  …how is this conducive to a small child feeling a part of the community she lives in? And why do Muslim women insist on wearing clothing that makes them stand out from the crowd and attract negative and sometimes abusive reaction from extremists of other religions? Surely religion is a private matter to be celebrated at home or in a church or mosque?

-Anne Frandi-Coory 20 June 2017

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A Letter to Catana Tully, author of

Split At The Root – A Memoir of Love and Lost Identity

Dear Catana

I loved your book; so sad and yet uplifting to know the wonderful person you have become. I could relate to the essence of your story even though our stories are set in different parts of the world. It doesn’t matter what race or creed, life affects us in the same way, for better or for worse, for we are all too human and need love, just as much as nourishment, to thrive.

I find the hardest thing for me is that I cannot return to my childhood and change that which I yearn to do. Our identities were snatched from us and even after a lifetime, we still seem to be searching for something. Oh, we know our family history, I too researched mine for years before I wrote Whatever Happened To Ishtar?

I too was prevented from having any contact with my mother. The reasons are as varied as yours: her shame of unwed motherhood, and of course ethnocentric prejudice.  I know that your German parents loved you, but what right did they have to rob your mother of you, and you of your mother? Your poor mother was used as nothing more than a slave, and that is what my Lebanese father’s family surely wanted of me? You write about your mother Rosa, as being so tired from cooking and cleaning for your German family, that she must have lamented the time that she couldn’t spend with you. I wonder, did she believe that she wasn’t worthy enough to love and care for you, her baby,  as Mutti and Ruth did? My Lebanese extended family didn’t have a black slave, but they had me, a scapegoat child who would surely do the job!

Although your German family appeared to love you, and you had everything you could possibly have wanted, they stole your heritage, purely and simply. I too had a good, formal education, and I am grateful for that, but it could never make up for being separated from my mother as an infant, and never knowing her extended Italian family. A primal cut leaves a primal wound, which never stops bleeding. Our young mothers were vulnerable, both were naïve; more than likely coerced into an act they were not ready for,  by sexually experienced men. I find it interesting that your mother also became pregnant after one sexual encounter with your father. My mother was an innocent ex Catholic nun while the father of her firstborn son  was a soldier returning from the Second World War. He was already married with a young son, so she was left to fend for herself.  It is true that the relationship a mother has with her child is intimately affected by how that child was conceived.

Like your German family convinced you in subtle ways, your mother was to be shunned or even feared, my Lebanese family made sure that I knew my mother was a ‘fallen’ woman and that it was inevitable I would follow in her footsteps unless rigid controls were put in place. No man would want to marry me, so best that I become the family dogsbody who remains unmarried and cares for the household. I too was given another name, which I have now largely rejected.

Your German mother’s life goal was to make sure you married a man who, like her, could ‘frame’ you as being well educated, well brought up, in spite of your black skin. The nickname she gave you absolutely appals me. How could it not enter into your subconscious mind and influence your deep feelings of self-worth later in life?

Even though we had very different upbringings…yours infused with love and mine with hatred, the end result was the same; we lost our souls, our cultural and personal identity. I love that the Carib’s, your mother’s people, embraced you when you finally returned to her village, decades later. This I know takes enormous courage.

You write about dreaming of your mother Rosa being ‘at my bed’ and your Carib siblings talk of being aware of the scent of her favourite Jasmine flower whenever her spirit hovered in the vicinity. While writing Ishtar? my  mother’s nightly spiritual nagging urged me on whenever the book took too much of an emotional toll on my well-being and I just wanted to give the whole thing up. She wanted me to tell her heart-breaking story. I too believe, like your sister Adela does: ‘Back home we believe that there is no death, that when life in the body ends we return to our real essence; that of being spirits.’

All memories of the excluded mother who gave us birth  are erased from the surface of our minds only to be buried deeply within us. Our lives  were controlled, and as one of your reviewers has written: ‘Those who control the present control the past, and those who control the past, control the future.’

I am sure that our mothers’ spirits are now at peace. As I read your beautiful words within the pages of Split at the Root, they evoked vibrant images and enabled me to accompany you on your journey ‘home’. Thank you, Catana for sharing your life with us.

-Anne Frandi-Coory 7 March 2017

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Dear Penny

I just had to put this down on paper, because I know you love Elena Ferrante’s books as much as I do.

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Frantumaglia…wow Penny, I don’t know if you have read this book, but Elena Ferrante’s words keep punching me in the stomach.
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As you know, Frantumaglia translates into English as ‘a jumble of fragments’ but this book is far from a jumble. I don’t read a lot of modern fiction because I find that non-fiction has more ‘punch’ ’emotion’ and less hollow creative writing. But much of Ferrante’s life is in her books of fiction; so much of the streets of Naples, and of course, so much about our mothers. I can identify with what she says, even though I spent my infancy and childhood only with nuns, while dolls were my security until my teens. I was close to no females until the birth of my daughter when I was 23 years old… and as Ferrante says: “Dolls are not merely a miniaturisation of the daughter. They can be stand-ins for women…” Perhaps real women was what I needed, women whose bodies I could see?  Ferrante talks at length of the ‘shapelessness’ of mothers’ bodies, and I know full well what she means, although in a completely different context. And of course, nuns were also subservient to their men; god in heaven, priests and bishops here on earth!
I had decided, after reading the Neapolitan Novel Quartet  and The Days Of Abandonment not to read Ferrante’s two other earlier books Troubling Love and The Lost Daughter. That is until I read Frantumaglia; then, how could I resist?
Ferrante says of mothers she knew in Naples, including her own: ‘They are cheerful and foul-mouthed women, silent victims, desperately in love with males and male children, ready to defend and serve them even though the men crush and torture them to become even more brutish. To be female children of these mothers wasn’t and isn’t easy. Their vital, obscene, suffering subjugation, full of plans for insurrection that end in nothing, makes both empathy and disaffected rejection difficult. We have to escape from Naples [Italy] to escape from them as well. Only later is it possible to see the torture of women, to feel the weight of the male city on their existence, feel remorse of having abandoned them, and learn to love them, to make them, as you say, a point of leverage in order to redeem their hidden sexuality, and start again from there.’ And in my case, to forgive them.
Frantumaglia – A Writer’s Journey, is a collection of correspondence between Ferrante and her Italian publishers,  interviews with film makers, and responses to readers’ questions, all conducted by email through her publishers to protect her anonymity. Every piece of writing in the form of correspondence between Ferrrante and her readers is full of passion, and I believe, she exposes her very soul to us. Here is an example in which Ferrante discusses with a reader, her insights into the fragmentation felt by mothers. Her own mother used the term ‘frantumaglia’ to explain her feelings of ‘disintegration’. The Days Of Abandonment is the story of Olga’s slow disintegration and fragmentation after her husband informs her that he is leaving her and their children for a much younger woman.
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Interviewer: Do you think that this emotional journey, this coming apart into a jumble of fragments and then putting oneself back together, is an inevitable passage in the lives of women, with or without analysis?
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Ferrante: In the women I feel close to it was. In some cases it seemed to me that feeling literally in pieces could be traced back to that sort of original fragmentation that is bringing into the world-coming into the world. I mean feeling oneself a mother at the price of getting rid of a living fragment of one’s own body; I mean feeling oneself a daughter as a fragment of a whole and incomparable body. 
Ferrante then goes on to say: What counts in the end is the collective flow of generations. Even when there is both merit and luck, the efforts of a single individual are unsatisfying.
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Ferrante could easily have been writing about my Italian mother, grandmother and great grand grandmothers. I researched and studied their lives from their childhoods, to try and understand why my own mother abandoned me in an orphanage, and why so many mothers in my family tree had such fragmented and brutal lives. Everything Ferrante writes deeply resonates within me. Thank you Penny, for introducing me to Elena Ferrante.
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-Anne Frandi-Coory 13 February 2017

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Damascus Gate 

by Robert Stone

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What is it about authors who have been incarcerated in Catholic orphanages and other religious institutions during their formative years? This is another book I found at Clunes Book Festival in Victoria and I wonder, is it the title that attracted me or the intense stories about faith written within its pages? The author Robert Stone has himself a past bathed in religious upheaval and search for identity. He was raised by his schizophrenic mother until he was five, when she was committed to an asylum for the insane. Five year old Robert, whose father abandoned the family, was then taken in by a Catholic Orphanage, who Stone describes as having the ‘social dynamic of a coral reef’. The violence the boy experienced at the hands of men posing as carers, is a heart rending story retold many times over by children raised in religious institutions.  I think it must be the passion and fearlessness with which these authors take on ‘taboo’ subjects that attracts my undivided attention. Someone wrote that books, once written, have no need of their authors. That is true enough, but I must admit to seeking out most books by author, rather than title or genre. I like to know more about the background of the author, particularly if a book has had a deep effect on me, and Damascus Gate is just such a book.   You can never judge a book by its cover in my view, especially when it’s a good read you are looking for.

At the centre of the Damascus Gate story is struggling free-lance journalist, Chris Lucas (Catholic mother, Jewish father), who teams up with a psychiatrist in Jerusalem to write a book about religious zealots, some insane, of all persuasions who come to the Holy City to ‘find the truth’ a condition labelled the ‘Jerusalem Syndrome’. The two men enlist the help of an archaeologist, who himself seems to have caught the ‘combative spiritualism’ endemic in Jerusalem. Little does Lucas realise that he is being followed, photographed and controlled by various groups fulfilling their own agendas. The Jerusalem Syndrome is a label attached to a group of mental phenomena involving the presence of either religiously themed obsessive ideas, delusions or other psychosis-like experiences that are believed to be triggered by a visit to the city of Jerusalem. Followers of the three Abrahamic religions of Judaism, Christianity and Islam can be equally affected by the syndrome. There is no doubt that with the Israeli army surrounding the city, and with its spies everywhere, the religion of Judaism appears to have the upper hand and control of the city and its environs with the help of its watch towers and road blocks at every twist and turn.  The best known manifestation of Jerusalem Syndrome is whereby a person who seems previously balanced and devoid of any signs of psychopathology becomes psychotic after arriving in Jerusalem. The psychosis is characterised by an intense religious mania and most often resolves to full recovery for the afflicted over time or immediately following their departure from the city.

Even those of little faith, or atheists, sense ‘there is something here in Jerusalem’, but what, they cannot say.

Damascus Gate is set in Jerusalem and surrounding areas, is fiction based on fact; we all know what a powder keg Jerusalem is with its struggle to contain the three religions within a relatively harmonious state. Making the situation even more volatile, are the various sects of Christianity, Islam and Judaism competing to have their ‘truth’ realised, even though archaeological proof is yet to be discovered for any of their respective claims. This book is a great read and highlights the sectarian differences between  Christians, Muslims and Jews whose followers all fight for supremacy over this small historically important city. Each sect has its own neighbourhood and if you’re not one of them, you are forewarned to avoid walking through its streets alone without an approved escort. It can be a very dangerous city and riots between Jews and Arabs can erupt at any time for the slightest of motives. Not only that, this fraught city attracts all manner of religious lunatics hell bent on ‘saving’ their respective Messiah’s or Holy Prophet’s relics from the infidel. Drugs, money and sexual favours add to the heady religious mix, and anything can happen at any time. Herman Melville’s quote sits revealingly on the front page of Damascus Gate: ‘Enigma and evasion grow; And shall we never find Thee out?’

A  Jewish extremist underground movement exists in Jerusalem and it aspires to rebuild the Temple. To achieve this, the mosques must be blown sky high. The Israeli Defence Force and Mossad know that if this happens Armageddon will erupt in Jerusalem which will surpass its many past destructions, the effects of which will be felt across the globe. There is not much going on in Jerusalem that these two forces don’t know about.  The tensions are deep and ancient, with their thousands of years of history fought over every day and at every religious festival. Serious political games are being played out at the very highest levels where murder, intrigue and ‘religious  authority’ are used to control and incite violence which is forever simmering at a very shallow depth beneath the surface of this ancient land.

Israelis and Palestinians both claim Jerusalem as their capital, and the state of Israel maintains its primary governmental institutions there. One of Israel’s Basic Laws, the 1980 Jerusalem Law refers to Jerusalem as the country’s undivided capital. All branches of the Israeli government are located in Jerusalem, including the Knesset (Israel’s parliament), the residences of the Prime Minister, President and the Supreme Court while the State of Palestine ultimately foresees the city as its seat of power. However, neither claim is widely recognized internationally. In latter years Muslim extremists have become more powerful and dangerous making Jerusalem even more volatile than ever. Staff of non-government organisations such as the UN and Save the Children, feature in this story and all play an integral part in the intrigue and hidden agendas.

One reviewer says of Damascus Gate: ‘Stone has a journalist’s eye for detail, but a novelist’s eye for irony’…and I believe that this is what makes the book such a great read. Stone manages to capture all the intrigue, all the religious fervour and menace in his words and all the while there is the ‘festering menace of Gaza’.

-Anne Frandi-Coory 23 January 2017

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I’m Your Man; The Life Of Leonard Cohen

is an authorised biography by Sylvie Simmons published 2012, four years before Leonard Cohen’s death on 7 November 2016.

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I have just finished reading this wonderful book which I bought at the Clunes Book Fair earlier this year.

What a book, what a man Leonard Cohen was. Poet, philosopher, author, scholar of the Hebrew Bible and Jewish Kabbalah. Simmons, a renowned music journalist and award winning writer, has written the ultimate Leonard Cohen biography of  531 pages, incorporating his life, his music, poetry and prose, and his deep spirituality. She records word for word, many of the dialogues she had with him, which add to the intimacy of the book. He was a humble man who valued his solitude, a frugal way of life  hidden from the limelight, and of course, his love for women. A man with a magnetic personality, he had many lovers, most of whom he remained close friends with. He could not live too long in a relationship with a woman though, not even with Suzanne Elrod (not the Suzanne who inspired his most famous song), the mother of his two children. But she says that he was a devoted father, generous and loving, although there were recriminations, for a time, following the breakup of their relationship.

The leading rabbi of Montreal’s Jewish community who knew the Cohen family well, understood Cohen’s devotion to a Buddhist monk and to Buddhism, and believed that Cohen would’ve made a brilliant rabbi because of his poetical way with words and his authoritative knowledge of the Hebrew Bible. Cohen was a very disciplined man who also loved to fast. He enjoyed vegetarian food and was always very slim, of quite a slight build; ‘There’s no excess to him at all” observed Simmons.

This is a riveting read for Leonard Cohen fans and anyone who is interested in the music scene of the 1960s through to the 1990s. Such artists as Janis Joplin, Jimmy Hendrix, Bob Dylan, Joni Mitchell, Judy Collins, Jeff Buckley and various music entrepreneurs; people like Phil Spector, John Lissauer, Nick Cave, and background singers such as Jennifer Warnes, Sharon Robinson, the Webb sisters,  and Anjani Thomas to name a few. Cohen preferred subtle musical instrumentation to accompany his works, and many of his songs feature him playing his beloved synthesiser, and his Spanish guitar. He had a ‘good ear’ for the sound he wanted; simple, so that his voice, poetry/lyrics were enhanced, not drowned out.

When Cohen began recording an album with Phil Spector, it developed into a worst nightmare for him.  Simmons recorded a dialogue she had with Cohen:

There were lots of guns in the studio [during the recording of the album ‘Death of a Ladies’ Man 1977] and lots of liquor [and drugs]. It was a somewhat dangerous atmosphere…he liked guns. I liked guns too, but I generally don’t carry one. There was no firing but it’s hard to ignore a .45 lying on the console. The more people in the room the more wilder Phil would get. I couldn’t help but admire the extravagance of his performance. But my personal life [before he entered the monastery] was chaotic, I wasn’t in good shape at the time mentally, and I couldn’t really hold my own in there [the recording studio].

Almost without exception, people who came into contact with Cohen describe him as being very kind, a gentleman and very generous; a seductive man. His friends and family told his biographer that Cohen was constantly writing and sketching. Many of his books and album sleeves are enhanced with his sketches and paintings. Cohen was always beautifully dressed, and he loved wearing suits, with his shoes always highly polished. Cohen’s extended family were tailors and owned up-market clothing stores, and he worked in one or two stores for a short time, but he really hated being involved in the family business. He once said to his biographer, Simmons, “Darling, I was born in a suit”.  But Cohen was too trusting of others. He signed one his most famous songs, Suzanne  over to a record label, believing he was just signing a ‘normal’ recording contract and later in his career, his then manager stole all of his money (approx.7.5 million) while he was living in the Buddhist monastery after he had given her power of attorney over his affairs. He then had to go on tour, which he never enjoyed in the past, to earn money for his retirement years. He was at that stage, aged in his early seventies. The tour, with handpicked musicians and background singers he felt comfortable with, lasted over three years. He and his band played to packed global audiences and he made much more money than had been stolen from him. At that time he had a personal friend, Robert Kory, as his very competent tour manager, who understood Cohen’s shyness and his need for solitude. Only those who had to be backstage were allowed there, no interviews were arranged, and there were  plenty of breaks for Cohen to recharge his batteries somewhere in solitude.

A deeply spiritual man who was proud of his Jewish heritage, Cohen spent about five years  as a monk (he was ordained) in a Buddhist Monastery, and he felt that Buddhism and Judaism complimented each other. Cohen lost his lifelong depression after his sojourn in the  monastery, belatedly in his sixties. For years Cohen had used a variety of drugs like  maxiton/speed, LSD, Mandrax, acid, amphetamines to lift him out of his dark depression, and many of his poems/songs reflect his angst and those dark periods. Then there were his experiences in the famous Chelsea Hotel in New York City, his home away from home in the early years, and which could fill a book on their own. Simmons also explores this time with Cohen throughout the book.

Cohen’s father died when he was nine years old, and he didn’t believe that his father’s death had a profound effect on him, because he was often ill in hospital or away somewhere else. But after having read this book, I believe his father’s death did have a profound effect on his life, even though he had very strong male role models within his family and the Montreal Jewish community. He was very close to his mother, and was also surrounded by loving women, in his private life and later in his musical life.

Cohen liked to live in simple cottage-like homes, and he spent his last years living in Los Angeles in a small sparsely furnished duplex where he lived upstairs while his daughter, Lorca lived downstairs. He also owned a very small cottage on the Greek island, Hydra which he bought in his thirties with money left to him by a relative, and in which he wrote many of his works and spent many happy days with Marianne, his lifelong muse and one time lover.

Always nervous on stage, Cohen preferred to be supported by musicians he knew well and who understood his type of simple music; music that didn’t drown out the lyrical poetry of his songs. He won numerous global and Canadian awards during his lifetime, for literature, poetry and music albums. He didn’t always believe he deserved them. He has written 12 books of poetry and prose.

Something Leonard Cohen said stayed with me while I read his biography. He said he didn’t rebel when he was growing up because essentially he had a privileged life brought up as he was in a wealthy and close Jewish neighbourhood in Canada, and that he had nothing to rebel against. But maybe he was too much the dutiful son, and maybe if he had rebelled, he wouldn’t have spent most of his life taking all manner of drugs to get him through life, the desperate need to spend so much of his time alone, and his fearfulness of making any kind of commitment to another person.  He was too polite, too shy, too forgiving and far too hard on himself. But then we wouldn’t have his legacy of poetry and songs, would we?

-Anne Frandi-Coory 1 December 2016

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